P O W E R


Black studies and art history. Global Advocate™ and Spokesperson for Merino Wool.


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Anonymous asks: why do you have two blogs? they seem so intertwined
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Anonymous asks: I'm shook by you hating Hereditary--what about it didn't you like?

the ending

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serena in off-white

Anonymous asks: Favourite films of 2018?

I’ve only been to the theatre like 5 times this year - for Widows, Sorry to Bother You, Black Panther, Ocean’s 8 and The Incredibles 2. Beyond that I watched Hereditary which I hated, and Love, Simon which I liked generally although it was ideologically…a lot.

Beyond that, I haven’t seen any of the other big films this year from the US, and I don’t know anything about the year’s releases France or the UK really. So I hope to correct that over winter break. I know that Widows is going to be on my like internal list of favorites, and I’m excited to see a lot of the awards season frontrunners.

Anonymous asks: Gays clean your room challenge
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Who’s the actual king of R&B?

[Tammie voice] I’m asking!

midnight-charm:
“ Teyana Taylor photographed by Eric Guillemain
Stylist: Anna Katsanis
Makeup Joseph Carrillo
”

midnight-charm:

Teyana Taylor photographed by Eric Guillemain

Stylist: Anna Katsanis
Makeup Joseph Carrillo

(Source: models.com)

gothhabiba:

“Broad swaths of the left and liberal-leaning U.S. public newly dedicated themselves to political activity in the wake of Trump’s ascension to the White House and the GOP’s control of the Senate and the House. Amidst the awakening of a liberal grassroots, a new enemy crystallized: the white woman voter. She emerged as the victim of a kind of false consciousness forged not in the factory, but in the college classroom and suburban mall. In dominant media narratives, her ubiquity came as a shock. The stats are repeated as incantation: 53% of white women voted for Trump a mere four weeks after video emerged of Trump bragging about sexual assault. 63% of white women voted for Roy Moore in December’s Alabama Senate special election, despite mounds of credible evidence of Moore’s molestation of young teen girls. Why, the narrative muses, would white women betray their own interests? And why are black women—98% of whom voted for Moore’s opponent Doug Jones—seemingly immune to electoral self-sabotage?

I wish to suggest a frame that has not emerged in the mountain of copy addressing the problem of white women. Feminists have generated many useful analyses – white women’s investment in patriarchy, the class structure, the racial status quo—underlining the material benefits conservative politics offer white women. There is a deeper, more structural reason why white women vote for misogynist, white supremacist candidates despite a century and a half of feminist organizing, however. Simply put: sex difference is itself a racial structure.

Sexual difference, as a concept, emerged as a function of race. This is particularly salient in the nineteenth century, the era in which modern notions of race and sex difference solidified. […] A wide variety of scientists, writers, and reformers articulated full sexual differentiation as the unique achievement of the civilized. The binary entities of man and woman were newly understood as thoroughly distinct in terms of mental, physiological, emotional, and psychological capacity. Sex difference was presented as the singular attainment of a teleological evolution moving toward ever greater specialization. The primitive races, by contrast, were cast as unsexed, as insufficiently evolved in both anatomy and character. The category of womanhood emerged in modern times as a unique quality of civilization. Its ramifications are still visible in electoral politics across the country.”

–Kyla Schuller, “The Trouble with White Women

What are songs that sound destructive and explosive, evoking “I HATE YOU SO MUCH RIGHT NOW” levels of rage??

nobrashfestivity:

Robert Rauschenberg, Cy + Roman Steps (I–V), 1952, printed ca. 1997

Rauschenberg’s pictures of Cy Twombly in Rome.

5oho:

‘we are wonderful love alleluya‘ sekhou drame ph by kapturing for essential homme, winter 2018

(Source: madzho)

paul cadmus, george platt lynes and jared french at fire island in photographic studies for french’s paintings